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Director: Darren Lynn Bousman. MPAA Rating: R for strong grisly violence and gore, sequences of terror and torture, nudity and language. Screenwriter: Leigh Whannell.

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It is not a movie of words, as the dialogue tends to be rather standard, nor is it a movie of supreme originality, as it has the same dumb cops who never call for backup and who find the clues in the same ways as all the movie cops before them. But the ideas — ooooh, the ideas. We open on two men, Dr.

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Discussion in ' Misc. Films ' started by StarLordApr 3, The SuperHeroHype Forums. StarLord You're not the devil.

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But I had a fun time seeing tis trilogy and— some early technical difficulties aside— it was an effortlessly fun way to spend a day. I was never bored. Interestingly, An Unexpected Journey improves with a second viewng while The Desolation of Smaug deteriorates a bit— not only due to the distinct lack of Hugo Weaving in the second film.

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Contributed by Michael J. LeeExecutive Editor for RadioFree. The latest game: Lawrence must kill Adam by dawn, or else his wife Monica Potter and daughter will die.

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Upgradethe exploitation-influenced stepchild of Payback and Robocopis the latest creation from Leigh Whannell, the influence behind Saw and Insidious. Working without the James Wan safety net, Whannell proves adept at providing sufficient blood and violence to prevent anyone from mistaking Upgrade for a more serious-minded sci-fi endeavor. Like all B-movies, this one provides moments of visceral satisfaction while ignoring nuance and at times logic.

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Director: Leigh Whannell. First-time director Leigh Whannell, who has written all three Insidious movies and is now taking the directorial reins from James Wan, has decided to go the prequel route, showing us how Elise Rainier, the psychic who aided the Lambert family in Insidious 1 and 2, enters the ghost-hunting business and teams up with sidekicks Specs Leigh Whannell again, this time in an acting role — he really is all over this movie and Tucker Angus Sampson. The two previous Insidious movies starring Patrick Wilson, Rose Byrne and Lin Shaye, presented us with some appealing characters and generated some actual dread — a combination which translated into significant box office success in and Why did these fairly modest pictures, virtually devoid of explicit gore, nudity and bad language, prove so popular?

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I just came back from seeing Insidious, written by Leigh Whannel, who is the writer of the original Saw film. Great movie, I recommend it, but that is not the point of this post. The main male character is a teacher, and there is a shot where he is sitting in front of a chalkboard.

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Upgrade lives up to its name in more than one way. It presents a series of tropes you already knew and polishes them up with modern executions, giving us a main character ready to star in updated version of the Six Million Dollar Man. On one level, the film, written and directed by Leigh Whannell Saw, Insidioustrots out a very familiar sort of action-hero origin story: Victimized by violent crime in a cyberpunk future, main character Grey Trace Logan Marshall-Green vows to hunt down the men who killed his wife. When Grey drives the Firebird to the person who wanted it restored—reclusive genius tech-bro Eron Keen—Asha accompanies him so he can get a ride back home in her fancy self-driving smart car.

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